Volume 16, Issue 3
Special Issue on Mind, Music and Technology, November 2020, pp. 227–405
Guest Editors’ Introduction
Music as Embodied Experience
Marc R. Thompson & Jonna K. Vuoskoski
Original Articles
See How It Feels to Move: Relationships Between Movement Characteristics and Perception of Emotions in Dance
Birgitta Burger & Petri Toiviainen
Communicating Through Ancillary Gestures: Exploring Effects on Coperformers and Audiences
Anna Siminoski, Erica Huynh, & Michael Schutz
The Communication of Melancholy, Grief, and Fear in Dance With and Without Music
Lindsay A. Warrenburg, Lindsey Reymore, & Daniel Shanahan
Exploring Relationships Between Effort, Motion, and Sound in New Musical Instruments
Çağrı Erdem, Qichao Lan, & Alexander Refsum Jensenius
Creating Digital Musical Instruments With and for Children: Including Vocal Sketching as a Method for Engaging in Codesign
Kjetil Falkenbert, Hans Lindetorp, Adrian Benigno Latupeirisssa & Emma Frid
Music, Vibrotactile Mediation and Bodily Sensations in Anorexia Nervosa: “It’s Like I Can Really Feel My Heart Beating”
Gabriela Patiño-Lakatos, Hugues Genevois, Benoît Navarret, Irema Barbosa-Magalhaes, Cristina Lindenmeyer, Maurice Corcos & Aurélie Letranchant