Volume 16, Issue 3

Special Issue on Mind, Music and Technology, November 2020, pp. 227–405

 

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Guest Editors’ Introduction

Music as Embodied Experience

Marc R. Thompson & Jonna K. Vuoskoski

 

Original Articles

See How It Feels to Move: Relationships Between Movement Characteristics and Perception of Emotions in Dance

Birgitta Burger & Petri Toiviainen

 

Communicating Through Ancillary Gestures: Exploring Effects on Coperformers and Audiences

Anna Siminoski, Erica Huynh, & Michael Schutz

 

The Communication of Melancholy, Grief, and Fear in Dance With and Without Music

Lindsay A. Warrenburg, Lindsey Reymore, & Daniel Shanahan

 

Exploring Relationships Between Effort, Motion, and Sound in New Musical Instruments

Çağrı Erdem, Qichao Lan, & Alexander Refsum Jensenius

 

Creating Digital Musical Instruments With and for Children: Including Vocal Sketching as a Method for Engaging in Codesign

Kjetil Falkenbert, Hans Lindetorp, Adrian Benigno Latupeirisssa & Emma Frid

 

Music, Vibrotactile Mediation and Bodily Sensations in Anorexia Nervosa: “It’s Like I Can Really Feel My Heart Beating”

Gabriela Patiño-Lakatos, Hugues Genevois, Benoît Navarret, Irema Barbosa-Magalhaes, Cristina Lindenmeyer, Maurice Corcos & Aurélie Letranchant